Max Wilson — Director · Cinematographer · Editor — London, shoots worldwide
Direct. Shoot. Cut.
One pair of hands from pit lane to final cut — brand films, race & event coverage and social campaigns for NASCAR, Amazon Prime and the fastest sports on earth. Shot for the edit; edited like the shooter was in the room. Because he was.
Selected work
Index
Created for
About
Shot & cut
by the same pair of eyes
I shoot for the edit, and edit with an understanding of the shoot. Built for fast-moving productions — NASCAR, MotoGP, brands, live events — travelling light, capturing strong visuals, and turning footage into finished films without a huge production footprint. One pair of hands from pit lane to final cut, which is why the work feels like one voice.